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Water becomes mountains, mountains become water.
My practice centers on two complementary series: "Skyscape" and "Stream."
The "Skyscape" series of graphite drawings reimagines clouds through the compositional structures of historical landscape painting, from Romanticism to East Asian "Shan Shui."
This structured approach contrasts with the "Stream" series, where I explore the surface of flowing water, as well as its patterns and reflections as an abstract form to examine painting's formal elements—structure, texture, color, and form.
In both series, water serves as a key motif, a substance that lacks a defined form. Neither is a realistic depiction of nature; instead, they become spaces where my subjectivity and art historical references intertwine.
Through the interplay between the structured landscapes of "Skyscape" and the abstract expressions of "Stream," I explore the continuous cycle of water and the transformations between form and formlessness, air and earth, and energy and matter.
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